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Hi, my name is Nirvan. This film started as my student project while I was studying Experimental Animation at CalArts. A lot has happened since then, and the project has evolved, while pretty much taking over my life. :) TimelineBelow are some of the key moments in the growth of this project: 2000 - CalArts Interschool GrantThe 1 Second Film project was awarded the maximum ($1,5000 CalArts Interschool Grant, supplying the seed funds to create the collaborative event. Additional funds were raised by selling $1 producer credits. March 8, 2001 - Animation EventOn March 8th, 2001 (International Women's Day), the 12 frames of animation were painted by hundreds of people during a collaborative event in the main gallery of CalArts. The event was a ton of fun. Here is some video:
Sept. 11, 2001 - Concept Expands into 5 Phase Plan
After the animation event, I began to think about creating sequels, using the idea as a platform for addressing social issues. A few months later was 9/11. The idea began to develop into a collaborative art project to address the impact of that moment. The idea continued to grow into a 5 Phase Plan to create global collaborative art projects that address various social issues:
I decided to try and grow The 1 Second Film in order to build a platform for these future projects. This is the idea that has been motivating me since. I also started looking into forming a non-profit, eventually leading to the Collaboration Foundation... February 2004 :: FotoKem and 70mmAfter I graduated CalArts, I spent the next few years finishing two other animated shorts, The Box Man and The Three of Us. Once these were done, I started working on The 1 Second Film again. I met with Michael Brodersen of FotoKem to get a quote for 35mm post-production costs. FotoKem had given 'The Box Man' a FotoKem Student Grant in 2002. After hearing the concept for The 1 Second Film, Mike suggested completing it on 70mm (FotoKem had just added 70mm services). This was a huge moment as it gave a unique hook to market the film and start fundraising. February, 2004 :: Fundraising On the StreetsI made a xeroxed flier and started to pitch the one-second film to people on the streets, fundraising $1 at a time. Here is Flier #1, made in Claris Works. ![]()
Even though the flier sucked (I didn't know how to use Photoshop), the idea was well received by the people I shared it with. The positive response encouraged me to make a better flier and keep going. I also started making a website (also really bad!) and began hand entering producer names online. CelebritiesI started running into celebrities while selling producer credits in Los Angeles. My first celebrity pitch was to George Clooney, who I met by chance in FotoKem's parking lot after making photocopies of flier #2: ![]()
I was super nervous; Clooney thought the idea was funny but was hesitant to add his name to a film based on a xerox flier and a street pitch. Ultimately, this was a really good learning experience. After that, I spent some time designing much better marketing materials, including the collectible business cards. I also started carrying a presentation kit with me everywhere I went, so that I was always ready to pitch. As my street presentation improved, more people started to chip in... even the celebrities encountered. Tom Arnold, Ben Harper, Christina Ricci,and Andy Dick were some of the first celebrities to donate. I didn't own a camera yet, but luckily a nice lady took this picture of Tom Arnold donating $100, and emailed me a copy: ![]()
I added the photo of Tom Arnold to a new and improved flier #3, along with the names of the celebrities that had donated. I noticed a big difference when pitching folks on the streets using the new flier:
Buying a CameraI was having some pretty absurd adventures, but I didn't own a camera, so nothing was recorded. I decided I needed to start documenting the fundraising process. I eventually sold enough producer credits to buy a still camera. The first picture I took was of Samuel L. Jackson buying a producer credit for his daughter Zoe:
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Soon after, I raised enough to buy a cheap video camera, and was able to video little moments like running into Andy Dick moving into his house: Film Festival Fundraising :: 2004 - 2005I had met Craig Trudeau at the AFI Film Festival in 2003; we became fast friends, sneaking into parties and living the life of short filmmakers. Craig is based in Vancouver; I sent him a bunch of fliers, cards, and sign u sheets, and he began selling producer credits for T1SF up in Vancouver while I fundraised in LA; collectively we raised enough to fund a trip to the 2004 Toronto Film Festival. This was the first time I went to a film festival without having a film in the program; our goal was only to sneak into parties and sell producer credits. In preparation, I made the first full color flier #4, especially for the trip (I was getting a little better on Photoshop):
We had a blast in Toronto, and the color flier really paid off by inciting a bidding war between Tom Green and Andy Dick. Here is Craig and I meeting Tom Green in Toronto: At this point we had about 800 producer credits, and the making of story-line was really starting to develop; it was at this point that I decided to go all in and create a feature-length making of documentary to play during the credits. Craig and I then began travelling to more film festivals to recruit more producers, while raising funds to keep going. |
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IMDb :: 2005
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The Collaboration Foundation :: 2006
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Launch of Automated Drupal Site :: March 2007
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DiggAfter launching, the1secondfilm.com was featured on the homepage of digg.com, which brought a ton of traffic. Kiefer Sutherland donates $600.23
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